> the fourth I have to take due to state apparatus' nagging and legal threats.
I get a letter every month from the licencing people, it just goes in the bin. I've had 1 visit, he asked to come in, I said no. That was basically the end of it.
(For the record, I have a TV but I currently have no way to watch live TV on it, so why should I have a licence! I don't use their service)
The TV license is insane to me, as a non-brit moving to the uk.
I am happy to pay a reasonable price for something I use.
But the threats I get about a GBP 1,000 is very un-british.
I don't know who runs the TV licensing scheme but they need to be sacked.
Thankfully if you can look past this gamesmanship then it is possible to call them and decline to participate in this nonsense.
"TV licensing" exists in a lot of countries and it funds the public service broadcaster. It is essentially a tax, it just happens to be collected by a third party (in this case, Crapita) rather than other tax collecting mechanisms.
Some countries (like Finland or Switzerland) require you to pay it even if you don't own a TV. It's really just a tax.
The reasoning for it not being a tax is that the public service broadcaster should have political independence from the government. Most people don't want their country to have a "government mouthpiece" state broadcaster, and it is much easier for the government to tell the broadcaster what to do and say by fucking with its funding if it's directly funded from the treasury.
Other countries do the same thing with a different trick, such as inserting it into your electricity bill.
The UK is a powerhouse in media production, part of that is due to the BBC funding all sorts of productions, both the visible (actors, etc.) and the invisble (camera operators, set designers, costumers, writers, directors...).
It has also been clear for centuries that private media, historically just the newspapers, but now TV channels, film studios, etc., have been disastrous, as their private owners either focus on profitability and pump out scandal and lurid stories, or if they've made their millions some other way, they run a paper in order to pump out biased propaganda. So a state-funded but not state-controlled broadcaster is an ideal thing to have.
The "licensing" has a point because it does make the BBC more impartial since the current government cannot adjust their funding down or up depending on their programming.
However, the same aim could be achieved by just setting a formula in law. 1 pound per british citizen, or 0.0001% of the average income per citizen last year. Numbers pulled out of ass as i have no idea what an UK tv license costs. As long as they make the formula extremely hard to change, it will work.
Long time Fastmail customer. Let it learn a bit about your inbox. I barely see any spam these days that’s not been caught. Except LinkedIn, that somehow goes through
Windows 2000 was a bug riddled, poorly architected punching bag for malware.
Things definitely went up-hill AFTER Windows 2000.
What on earth would cause someone to say Windows 2000 was a good release? It wasn't even a good release when it came out, and it definitely didn't stand the test of time.
I used this site as a reference earlier this year quite often, as I attempted to establish some baseline for a Linux DAW. I use Mac for serious audio stuff, but 'what if' (since I use Linux for everything else anyway).
I came back pleasantly surprised with the current state of things. Minus the underlying linux sound system, which is still a mess of things that barely work together. (I have a lot of expensive/pro plugins and all the DAWs on the Mac, so this was mostly a filtering exercise - what I can use on Linux that can still mix/master a whole project).
- I'm not a FOSS purist in audio, so that wasn't a requirement. But I am 'linux purist' so no VST wrappers of windows DLLs etc.
- Watershed moment for me: Toneboosters and Kazrog coming to Linux. Along with u-he, these make for a very, very high quality offering. You can easily mix a commercial release just with these. Kazrog isn't even 'Linux beta' like the rest, proper full release on Linux. I was briefly involved in beta testing for Linux, Shane & co are incredible people.
- I have most/all DAWs for the Mac. Reaper and Bitwig on Linux are enough for me and feel like good citizens in Linux. (ProTools is never coming, neither is Logic. But addition of Studio One makes for a really good trio).
- Any USB class-compliant audio interface will work (modulo control applications which generally aren't available on Linux, so ymmv).
- iLok is missing, which removes a whole host of possible options (I have 500+ licences on my iLok dongle, none of that stuff is accessible). I can't say I miss iLok, but I do miss Softube (not that it's available on Linux, iLok or not).
I made a few 100+ tracks mixes on my thinkpad with Reaper and the above combo of plugins, it worked just fine.
But Linux is still Linux, and 30 years later still annoys me with typical 'linux problems', which generally boil down to 'lack of care'. UI is still laggy, compositors be damned. While Reaper is butter-smooth on a Mac, audio thread never interferes with UI (and vice versa), it can get quite choppy on Linux. If you allow your laptop to go to sleep with a DAW open, chances are good that upon resuming you'll have to restart it as it will lose sound. And a lot of smaller annoyances that are just lack of polish and/or persistent bugs, that I'm sadly used to on Linux (want to switch users on Linux Mint? The lock screen can get hella confused and require a lot of tinkering to get the desktop back). But overall, it's a million miles away from a hobbyist endeavour that Linux audio used to be until recently. I could get actual work done with Linux this time around.
PipeWire seems to solve all the audio stuff for me, zero problems since I made the switch. I had audio fail on resume once when I first installed PipeWire; if memory serves it was that the default settings for PipeWire was to restart the audio server on resume which screwed things up because Jack kept running. Something like that. The fix was simple, just comment out a line and uncomment another. Everything audio has just worked ever since.
I have not had any UI issues in at least a decade on Slackware. The few times I tried Mint over the years, it was filled with random annoyances like you mention.
Edit: This is not advocating using Slackware for audio work, it works great but it is Slackware and most don't get along with the Slackware way. But there is a DAW module for AlienBob's Slackware Live Edition[0]. It worked alright when I tried it, as well as any other live distro.
I dont/didn't use Jack at all, straight into pipewire, which makes for a super unintuitive way to select 'audio device' in Reaper (iirc, something like select ALSA and 'default's for input/output and somehow that's all routed via pipewire). I'm not unhappy about pipewire, I finally have a low-ish latency audio system (enough for mixing, if not recording) that I don't have to spend hours on to get it to work. A la MacOS.
But generally that's my point, 'it works if you go and edit this obscure line in this obscure config file'. Mac has had a stable CoreAudio backend for quarter of a century now (counterpoint - Windows is also a mess). I wish Linux would stabilise their userland a bit more and stop rewriting stuff every few years.
Sometimes I wish there was a commercial company behind 'linux for audio' that will give me a finely tuned Linux distro on a finely tuned desktop machine, based on whatever distro, I don't really care. But have it all released/patched at their own pace, as long as everything 'just works'. I'd be happy to pay for that. The whole 'OS due upgrade, is anything going to work tomorrow, I have a session' is still an unsolved problem on _every_ OS/platform. Most busy studio heads go years without installing/upgrading _anything_ for fear of having a lemon after said upgrade, with clients waiting at the door.
>Sometimes I wish there was a commercial company behind 'linux for audio' that will give me a finely tuned Linux distro on a finely tuned desktop machine, based on whatever distro,
That would be Ubuntu Studio or Kx-Studio. Mint is quite far from what you want unless you are willing to put in the time to set it up right. Most any distro which ships PipeWire with Jack support enabled will probably perform better than your Mint setup running ALSA. PipeWire speaks Jack so if built with Jack support, any Jack aware application will connect to PipeWire with no need to start Jack or anything, it just works.
It is not an obscure file that I had to edit, it is the file (script) which starts the server. Took maybe 5 minutes to get everything working flawlessly and that includes compiling PipeWire since Slackware does not build it with Jack support and a google search to find out why resume killed the audio.
Isn't Apple taking UK gov't to court over this, and the reason they have abandoned encryption for everybody is to avoid being forced to provide backdoors. On this you should be on their side, not against them.
If Apple was transparent, I would be. But they are user-hostile and trust the federal government more than their customers. Apple is on-record[0] admitting that the US government requires them to their cover-up cooperation with surveillance. After decades of users demanding proper accountability from Apple, this is exactly what they warned would happen.
You have no right to demand that I take their side - Apple's disregard for privacy nauseates me. Everyone who sincerely trusted Apple to protect them against the fed is a lost cause. Go ask Apple to save you.
Although effective, this particular technique does not scale very well. Even if the UK had 100,000 kidnapping wrench torturers, it would take ~2 years for them to get through to pulling everyone in the UK’s teeth.
Fortunately for those who like laws having an effect, that's not factoring in the deterrence aspect of the first (few) toothpull event(s)
It's the law that's the issue. Avoiding enforcement only works until people actually care to start enforcing. There's also enough examples in history of people taking matters into their own hands if they disagree with something, doubly so if there's a law against it or something else makes them feel righteous. If you do bad in the eyes of the public (or its prosecutor), good luck swimming against the tide
Macintosh has always been application-centric, instead of window-centric desktop. Hence the top application menu that controls the 'application'. There is nothing inherently wrong with that approach.
And I'm not sure why anyone would complain that installing (most, not all) applications is just dragging an icon into applications folder.
That's four. I don't want any of them.
Three I have to take due to kids' nagging, the fourth I have to take due to state apparatus' nagging and legal threats.
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